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Spacecakes are aptly
named. I asked the barista at Coffee Shop Route 99 if they were
strong, then explained I had an 11-hour train
trip ahead of me. You better eat two, she said.
Why was I leaving Amsterdam in such a hurry? I
had arrived just 28 hours earlier and here I was
leaving on a delightfully grey rainy Saturday
morning with many unvisited art exhibits circled
in my Amsterdam Weekly. Lately,
my judgment hasn't been so great. Something was
pulling me toward Praha--or, more precisely,
Jakub, a village about one hour southeast of the
capital where I share a house with my friend
Mirek. The cakes did the trick, got me into a
weird mental space. Maybe not so weird. I
started drawing comics,
fiddled with illusions of depth on the page even
as the scrolling view was reduced to the
two-dimensional window plane (and now I'm
relating all this within the flatness of a
laptop screen). I'd walked Amsterdam with
nothing on me but a notebook , pen, and camera.
But the camera bored me. Photography is a
reductive lie, the movies I make are not much
better. I wanted to exist in three dimensions.
All the drama was in the moment but I still felt
bad when I missed "capturing" it--the backwards
glance of a garbage man craning his neck for a
glimpse of passing ass, a tram ringing its bell
to warn two pigeons off the tracks and the look
on the driver's face uncertain if they'd got
away unscathed (they had), a truck inching
around tight corner, its bed fractions from
scraping a bollard, a street sweep driver
getting out to feed his whirling vacuum vehicle
a sheet of newspaper out of reach of his
brushes, the high pressure hose man blasting
cobblestones in the rain. The people seemed
self-contained and I wanted to be that way. The
good news is Amsterdam is littered with flat cans same as everywhere
else and I came away with a big collection.
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