Although he swore
that Timequake was
to be his last book, Kurt
Vonnegut has published a new
collection of essays: A Man without a
Country. Good thing, too.
About a year ago I almost wrote to ask him
why he was being silent when the world
needed his sane observations and good
advice. I never wrote that letter, but
here comes A Man without a Country
anyway. I immediately placed an order with
a local bookstore. They called a few days
later and I had the pleasure of taking it
home on a chilly damp Friday evening. I
burned through it in one sitting. Next
morning, I sat down and typed a three page
letter to Mr. Vonnegut thanking him for it
and a lifetime of good work.
The thing which initially attracted me to
Vonnegut's books is the fact that they are
so direct; he doesn't play allusive or
obscure literary games. I had a similar
feeling when I first read Howl--here at
last was a poem which described life in
bold clear language. Until then I'd only
read antiquated "schoolbook poetry"
with its attendant masturbatory exercises
of "find the symbols" and "decode the
meaning." I like Bukowski for
the same reason--you never have to guess
what he is getting at. |
Kurt
Vonnegut signed and returned the book I
mailed him!
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Reading Vonnegut led me to give Mark Twain another try. I
read and enjoyed Letters from the Earth
last summer, but most of his other writings struck
me as too quaint. I have a 1957 family edition of
his complete short stories which I've been trying
to get through since childhood but I never make it
very far. So this time I started from the back of
the book, reading the last story first--The Mysterious Stranger,
published in 1916, six years after Twain's death.
Twain got pretty bitter towards the end and I
think that put an edge on his later writing. This
long short story has a wicked bite behind its
charming smile and its conclusion fits my own
metaphysics pretty well. So... I recommend it!
Seattle winter is pretty inspiring when it comes
to reading and writing. The nights are long and
(often) rainy, the days short and (usually)
gloomy. So today I sat down and typed out a short
story. I haven't done that in years. It felt good.
It's called "The Collector" and is somewhat pulpy
fiction, a not very mysterious 3-page mystery
about a "priceless" object passing through many
different hands as it wends its way to a gory
climax. It's a lot like the stories I used to
write to entertain friends in high school. For
some reason, I mailed it off anonymously to a
local publication. I should have waited; it needed
changes. Well, that original is probably in some
editor's recycling bin by now, but I kept a carbon
and you can have a photocopy of the improved
version for one measly US dollar ($1) and a SASE sent to The
Collector, 3955-B Fremont Ave N, Seattle,
WA 98103 USA.
I like mailing words. The first sentence is free:
The artifact was priceless but humans have
their price.... |
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