He adjusted the contrast and tint, blacking out
the moon or losing it in light. "If they could
land a man on the moon you would think they
could do it in color," he complained.
My mother didn't share his enthusiasm:
"There's no color on the moon."
She was right, in a way. The moon is black
as coal. It only looks white because given
enough light anything will shine. Think of
asphalt at noon, black, hot, and blinding. "Albedo,"
Jerry lectured, "is the measure of how much
light an object reflects. The moon has a very
low albedo. 7 out of 100."
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The above excerpt is from a
scene in my short novel BUZZ
where a newly married couple is bickering while
watching the first moon landing. Without giving
too much away, the moon is a metaphor for the
unattainable and the letdown that comes from
finally getting what you want. I didn't write it
with that intention, but looking back now that's
what it says to me.
Please buy my book
and tell me what you think it
means.
Tonight was a much ballyhooed lunar eclipse,
a so-called blood
moon. The view from Kaupo, Maui was pretty
good and I enjoyed trying to photograph it with my
mediocre iPhone 4S camera pointed through
binoculars. It was a mostly frustrating challenge
but getting even this result was
satisfying--perhaps moreso than if I had the
proper gear to make a more technically proficient
image. The struggle made it interesting as I was so invested in the
process.
There's a blood moon in my memory, too. The summer
after 7th grade I played on my town's traveling
baseball team. After our last game we had a giant
sleepover at my friend BJ Lafemina's. He lived
right on the water and at its totality the moon
hung there red and ripe, bigger than the whiffle
ball we batted around till dawn. It was the first
time I stayed up all night. That night is clear in
my mind for another reason, as well, because
shortly thereafter we moved from our bucolic
bayside hamlet to a considerably worse
situation. Everything changed, and it wasn't just
a phase... |
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